Wednesday, May 6, 2020
English Commentary on Frankenstein - 1449 Words
Isolation in Frankenstein This passage is taken from page 119 of chapter 19 in Mary Shelleyââ¬â¢s Frankenstein. Closing in on the ending of the novel, this passage explores the self-reflecting state of Frankensteinââ¬â¢s mind when in isolation on the Islands of Orkney. Fear arises as a critical emotion that strikes him during his time spent on his creation. After visiting Edinburgh and a number of other cities, Frankenstein leaves his friend Henry Clerval and settles in a remote part of the Scottish countryside to finish the work of creating a partner for the monster. He commences his new creation driven by his fear of the monster. However, although Frankenstein has agreed to the task, he detests his work and begins to doubt theâ⬠¦show more contentâ⬠¦At that time, his desperate thirst of knowledge and desire for creation blocked out the visual horrors that were present around him; they went unnoticed. This time around however, he explains ââ¬Å"I went to it in cold blo od, and my heart often sickened at the work of my handsâ⬠(Shelly 119). Contrasting to his first experiment, the enthusiasm that there once was, is now shrouded by fear and sickness of his creation. Frankenstein now indicates negative perceptions towards experimentation and creation of life, mostly due to the revolting nature of the monster he had created. Furthermore, we can see him criticise his job by depicting it as a ââ¬Å"filthy processâ⬠(Shelly 119) and ââ¬Å"the most detestable occupationâ⬠(Shelly 120). The diction used here suggests that what he once craved is now believed to be repulsive and disgusting. His negativity towards his work gives the impression of a serious and sombre tone that displays the bothered nature in his thoughts. The tone darkens into a feeling of deep despair once Frankenstein expresses his fear towards the monster. He describes his spirits as unequal and he is growing restless and nervous. Just with the mention of the monster can strike uneasy feelings into him, emphasizing the depressive features of the tone. Shelley emphasizes the word ââ¬Å"fearâ⬠many times; she writes ââ¬Å"I feared to meet my persecutor. Sometimes I sat with my eyes fixed on the ground, fearing to raise themâ⬠Show MoreRelatedMary Shelley s Use Of Point Of View1467 Words à |à 6 PagesMichael Ginyard Mrs. Joyner English IV Honors 17 December 2015 Mary Shelleyââ¬â¢s Use of Point of View Mary Shelley uses point of view in Frankenstein to naturally develop her readerââ¬â¢s opinions and feelings in regards to her characters. Shelley forms her own Chinese Box structure along with a frame narrative stirred together to give the nature of stories within stories in a completely unique way (Narrative Technique in Frankenstein). When Shelleyââ¬â¢s readers interpret Frankenstein, they tend to have mixedRead MoreRomantic Elements Of Frankenstein1358 Words à |à 6 PagesFrankenstein; or The Modern Prometheus, is a novel written by English author Mary Shelley in 1816. Originally intended as a gothic ghost story while on retreat in Geneva, Shelleyââ¬â¢s novel would later become the groundwork for modern science fiction and horror. As a romantic piece, Frankenstein is a novel intended to entertain, to scare, and to bring a sense of unease to the reader. Culturally and historically, however, it acts as a romantic commentary on the transition from the Enlightenment periodR ead MoreThe Strange Case Of Dr. Jekyll And Mr. Hyde1035 Words à |à 5 Pagesliterature, that not only proved popular and influential in its day, but continues to stand spine-to-spine with Bram Stoker s Dracula, and Mary Shelley s Frankenstein as enduring genre classics. 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It is the purpose of this essay to compare and contrast the different Read MoreAnalysis Of Jane Austen s The One Hand Mansfield Park 2196 Words à |à 9 PagesAuerbach and Marilyn Butler touch briefly on this theme in their respective criticisms of Mansfield Park and Emma. Auerbach paints Fanny as a monster comparable to Frankensteinââ¬â¢s creature and other classic English monsters such as the vampire and even Beowulfââ¬â¢s Grendel. She states that ââ¬Å"like Frankenstein and his monsterâ⬠¦ Fanny is a killjoyâ⬠(448), and argues that Fanny ââ¬Å"draws sustenance from her role as omniscient outsiderâ⬠(449). However Auerbach tends to be a bit too harsh in her criticism of Fanny.
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